AA.VV
Leslie Sklair
La classe capitalista transnazionale
e larchitettura contemporanea nelle città globali
The Transnational Capitalist Class
and Contemporary Architecture in Globalizing Cities
Mario Carpo
The Bubble and the Blob
Junya Ishigami + Associates
Kanagawa Institute of Technology Workshop, Kanagawa, Japan
Bosch Architects
Ronald McDonald House, Utrecht, The Netherlands
Álvaro Siza Vieira
Museo MADRE, Napoli
Josep Llinàs Carmona
Biblioteca Jaume Fuster, Barcelona
Antonio Citterio and Partners
Asilo nido campus industriale GlaxoSmithKline, Verona
Dominique Perrault Architecte
Ewha Womans University, Seoul
Weiss/Manfredi
Barnard Nexus, New York
Diller Scofidio + Renfro
The Institute of Contemporary Art, Boston
Juan Navarro Baldeweg
Teatros del Canal, Madrid
Renzo Piano Building Workshop
The New York Times Building, New York
Grafton Architects
Università Bocconi, Milano
Aires Mateus
Centro de artes de Sines, Sines, Portugal
Studio Valle Architetti Associati
Teatro Comunale di Vicenza, Vicenza
Umberto Eco
Sulla fine del design / On the End of Design
Vittorio Gregotti
Re: Sulla fine del design / Re: On the End of Design
Pietro Valle
Si può ancora parlare di Realismo in architettura?
Can We Still Speak of Realism in Architecture?
Leslie Sklairs presentation of the transnational capitalist class and its influences on contemporary architecture in globalizing cities and the debate between Umberto Eco and Vittorio Gregotti on the end of design act as a background to another story in which architecture is formulating the elements of its disciplinary raison dêtre.
